JR Watkis responds: Streaming helps, doesn’t hurt

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

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Hype vs pulling power – Chin breaks it down

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Omi silent on frozen ‘Cheerleader’ royalties

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Konshens sparks conversation — “Whey di Reggae deh?” 

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Fantan Mojah calls out selectors over lack of Reggae support

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Jeremy Harding sounds off on Dancehall, record labels & Kartel’s global reach

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

DJ Mac defends new school Dancehall

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Reggae Visa Lawyer speaks on Popcaan & Squash’s US issues

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Tulox weighs in on Bounty Killer & Vybz Kartel’s impact

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Isat Buchanan delays release of Kartel collab

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More