JR Watkis responds: Streaming helps, doesn’t hurt

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

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Delly Ranx returns! Khago & Vershon join him in Atlanta

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Vybz Kartel’s “Summertime” goes silver in the UK

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Prime Minister Holness issues call for national vigilance and thoughtful democratic participation

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Opposition rejects SERHA’s explanation for spike in neonatal deaths at Victoria Jubilee Hospital

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Unnamed West Indies player accused of multiple sexual assault allegations, reports say

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Kishane Thompson, Julian Alfred headline star-studded Prefontaine Classic line-up

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Education Ministry orders audit into operations at St.Francis Primary over the use of PATH lunch funds

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Fraser-Pryce, Jackson, Thompson among stars advancing on Day One of National Championships

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More

Health Ministry says preliminary report shows prematurity as cause of increase in neo-natal deaths at Victoria Jubilee; rules out infection

World Music Views global head, Donovan JR Watkis, has responded to claims that streaming platforms are exploiting artists.

In a recent interview, Buju Banton accused streaming services of exploitation, arguing that “if you don’t hold it, you don’t own it.”

However, speaking on Road To Success during Easy Skankin with Kshema Francis on Thursday, JR Watkis explained that artists who truly benefit from streaming are often the independent ones—citing Vybz Kartel as an example.

He further pointed to Buju Banton, Sean Paul, and Shaggy, noting that because they were signed to major labels, they don’t directly receive the gross earnings from streaming platforms.

JR also pointed out that more new artists have achieved gold and silver certifications in just the last five years, including names like Skillibeng and Shenseea.

He highlighted that Spotify reportedly pays between $3 million and $5 million per billion streams to rights holders (record labels and publishers).

As the author of Reggae By The Numbers, JR Watkis, through World Music Views focus on tracking chart data, record sales, and streaming numbers to measure success in music.

Read More